Heritage designs from Algeria — honoring the country's monuments, cities, and stories.
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An arcaded plaza and stone fountain below the snow-capped Atlas, rose beds and orange trees in bloom — Blida drawn like a vintage travel poster.
A whitewashed medina spilling down to a turquoise cove, mimosa in bloom and fishing boats at rest — Mostaganem's port drawn like a vintage travel poster.
Volcanic Hoggar spires at Saharan dusk — a lone acacia, a Tuareg leading a camel through peach and ochre light. The far south of Algeria, drawn like a vintage travel poster.
The Yaz ⵣ — emblem of the free people — struck through with a heartbeat, an Atlas ridge and a line of Tifinagh above it: a living Amazigh identity drawn as a minimalist statement piece.
Algiers between sea and history — the white Casbah, Notre-Dame d'Afrique, sailboats on the bay and the Martyrs' Memorial at sunset. A vintage travel poster for the capital.
Vintage travel-poster tee, serif edition — the Casbah minaret, date palms, a domed mosque and a coral sun, framed in deep green. An Idle Paradise, redrawn.
The turquoise coves of the Corniche Jijelienne — a lighthouse on a white cape, pine cliffs, and a boat in sapphire water. The sapphire coast, drawn like a vintage postcard.
The snow-capped Djurdjura rising over misty Kabyle valleys — cedars, pine, and cold blue light. The summit of Bouira, drawn like a vintage travel poster.
The M'Zab valley in ochre and sand — a Mozabite minaret rising over the rooftops, an oasis of palms at the base, the Sahara stretching out behind.
Santa Cruz watching the bay of Oran from above — palm trees, terracotta rooftops, and Mediterranean blue. The pearl of the west, drawn like a vintage postcard.
Constantine on the rock, a suspension bridge crossing the Rhumel gorge, cypresses guarding the cliff — the city of bridges, drawn from below.
A football pitch tucked between Djurdjura cliffs and pine trees — Tizi Ouzou drawn from the mountains down.